The photographer Leon lives with his girlfriend and waitress Maya waiting for a chance to get in the photo business. When Maya contacts their friend Jurgis, he schedules a meeting for Leon with the successful owner of arts gallery Susan Hoff; she analyzes Leon’s work and asks him to improve the quality of his photos. During the night, the upset Leon decides to wander on the streets taking pictures with his camera, and he follows three punks down to the subway station; when the gang attacks a young woman, Leon defends her and the guys move on. On the next morning, Leon discovers that the woman is missing. He goes to the police station, but Detective Lynn Hadley does not give much attention to him and discredits his statement. Leon becomes obsessed to find what happened with the stranger and he watches the subway station. When he sees the elegant butcher Mahogany in the train, Leon believes he might be a murderer and stalks him everywhere, in the beginning of his journey to the darkness.

In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services.

We meet Jesse and Celine nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna.

Midnight, New Year’s Eve: when all the hopes of new beginnings come to life – except for Lindsey and Jeff Pittman, whose strained marriage faces the ultimate test after they cover up a terrible crime and find themselves entangled in a Hitchcockian web of deceit and madness.

A gunslinger, a vengeful ex-slave, and a runaway board a midnight train to Atlanta. They discover that the train is haunted by a sinister force, and must fight to survive the night.

In the town of Greensville, where cannabis is recently legal, Thomas and Anthony run the best pizza joint in town, Phu-King Pizza! They have a deal in place with ex-dealer-turn-business-man, Playa Playa, to use his most coveted strain, “Jamaican Goddess,” and infuse it directly in to the pizza sauce. Just as business is looking up, they discover on pay day that the $20k owed to Playa Playa has been stolen. The duo, along with their band of misfit employees, are given until midnight to pay the debt… or else.

In a fancy split-level condo in Tokyo’s Roppongi nightlife district, four women and four men gather from midnight to 5 am. They’ve all paid to be there (men more than women), and they have only one thing in common–they seek anonymous sex. Using no names, they’re known only by their types: freeter (temp or part-time worker), mild-mannered salaryman, duplicitous OL (office lady), self-conscious working class factory worker, perfectionist teacher, veteran pervert, shy NEET (“not in education, employment or training”) and bashful college student. Together, they unravel their identities in a night of increasing debauchery. Daisuke Miura’s adaptation of his critically acclaimed 2005 play of the same name explores Japan’s fuzoku (sex industry) with depth, humor and freewheeling indecency. This surprising, erotic and disturbing film features breakout performances by Sosuke Ikematsu and Mugi Kadowaki, who are tempted to mix love with sex.

A young woman with a severely troubled past who signs up for an extreme haunt called Perdition. She believes that putting herself through Perdition’s nightmarish trials will help her exorcise her internal traumas, but has no way of knowing just how shocking her ordeal will be-or what dark secrets buried in her psyche will emerge. From Director: Anthony DiBlasi “The Last Shift & Dread” And Producer: “Midnight Meat Train”